{"id":2471,"name":"AUGUSTAS SERAPINAS","email":"","language_id":1,"permalink":"augustas-serapinas--2","deleted":false,"legal_status_id":47,"url_1":"","twitter":null,"category_id":47,"date_of_birth":"1990-01-01T00:00:00.000+01:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"","lastname":"","annotation":"","url_2":"","url_3":"","cached_name":"AUGUSTAS SERAPINAS","date_of_death":null,"cached_name_asc":"AUGUSTAS SERAPINAS","stream_count_app":14,"gender":"other","platform_admin":null,"description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/908/large/Augustas_Serapinasphoto_M_HKAcc_5_bw.jpg?1402406348","poster_credits":"(c)image: M HKA","media_count":1,"items_count":1,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eAugustas Serapinas\u003c/strong\u003e is interested in the socially engaged and non-material practice of previous generations of artists, such as the one that emerged around the time of his own birth. The early 1990s saw the rise of the \u0026lsquo;relational\u0026rsquo; approach to practicing art with, for and through other people. This could also be a good definition for \u0026lsquo;curating\u0026rsquo;, another term dating from the same period. His experiments with social interaction start from an openness to the encounter, which, as philosopher Alain Badiou points out, differs from experience because it is always based on improbability. The encounter (as a possibility, an act or, if we like, a manifestation of free will) is also fundamentally opposed to the notion of identity (which essentially regulates sameness) and certainly to its instrumentalisation as identity politics.\u003c/p\u003e\r\n\r\n\u003cp\u003eYet Serapinas is not exclusively concerned with the non-material and inter-personal. He has also busied himself with the discovery and construction of \u0026lsquo;secret spaces\u0026rsquo;: pockets of subjectivity carved out of the rational infrastructure that society tries to build for itself. (AK)\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eDe jongste deelnemer in deze tentoonstelling is actief ge\u0026iuml;nteresseerd in de maatschappelijk immersieve en immateri\u0026euml;le praktijk van eerdere generaties kunstenaars, meest recentelijk die die ontstond rond de tijd van zijn eigen geboorte. De vroege jaren 1990 werden gemarkeerd door de opkomst van de \u0026lsquo;relationele\u0026rsquo; benadering van het maken van kunst, met, voor en door anderen. Dit zou ook een goede definitie voor \u0026lsquo;cureren\u0026rsquo; kunnen zijn, ook een term die dateert uit dezelfde periode.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAugustas Serapinas\u003c/strong\u003e\u0026rsquo; experimenten met sociale interactie vertrekken vanuit een openheid ten opzichte van de ontmoeting, die, zoals filosoof Alain Badiou opmerkt, verschilt van de ervaring omdat ze altijd is gebaseerd op onwaarschijnlijkheid. De ontmoeting (als een mogelijkheid, een daad of zelfs een manifestatie van de vrije wil) is ook fundamenteel tegengesteld aan het begrip identiteit (dat in wezen een instrument voor het reguleren van gelijkheid is) en zeker tegen elke verdere instrumentalisering van de identiteit als identiteitspolitiek.\u003c/p\u003e\r\n\r\n\u003cp\u003eToch is Serapinas niet uitsluitend bezig met het niet-materi\u0026euml;le. In plaats daarvan heeft hij zich beziggehouden met de bouw van \u0026lsquo;geheime ruimtes\u0026rsquo; of subjectieve ruimtes, uitgehouwen uit de rationele infrastructuur die de samenleving voor zichzelf probeert te construeren.\u0026nbsp;(AK)\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eAugustas Serapinas\u003c/strong\u003e s\u0026rsquo;int\u0026eacute;resse \u0026agrave; la pratique socialement engag\u0026eacute;e et non mat\u0026eacute;rielle de pr\u0026eacute;c\u0026eacute;dentes g\u0026eacute;n\u0026eacute;rations d\u0026rsquo;artistes, comme celle qui a \u0026eacute;merg\u0026eacute; \u0026agrave; l\u0026rsquo;\u0026eacute;poque de sa naissance. Le d\u0026eacute;but des ann\u0026eacute;es\u0026nbsp;90 a vu l\u0026rsquo;essor de l\u0026rsquo;approche \u0026laquo;\u0026nbsp;relationnelle\u0026nbsp;\u0026raquo; de la pratique artistique \u0026laquo;\u0026nbsp;avec, pour et \u0026agrave; travers d\u0026rsquo;autres personnes\u0026nbsp;\u0026raquo;. Cette d\u0026eacute;finition pourrait \u0026eacute;galement convenir au commissariat d\u0026rsquo;exposition ou \u0026laquo;\u0026nbsp;curatoriat\u0026nbsp;\u0026raquo;, un autre n\u0026eacute;ologisme apparu au cours de cette m\u0026ecirc;me p\u0026eacute;riode.\u003c/p\u003e\r\n\r\n\u003cp\u003eSes exp\u0026eacute;riences d\u0026rsquo;interactions sociales partent d\u0026rsquo;une ouverture \u0026agrave; la rencontre qui, comme l\u0026rsquo;indique le philosophe Alain Badiou, \u0026laquo;\u0026nbsp;diff\u0026egrave;re de l\u0026rsquo;exp\u0026eacute;rience parce qu\u0026rsquo;elle s\u0026rsquo;appuie toujours sur l\u0026rsquo;improbabilit\u0026eacute;\u0026nbsp;\u0026raquo;. La rencontre (en tant que possibilit\u0026eacute;, acte ou, si on pr\u0026eacute;f\u0026egrave;re, manifestation du libre arbitre) s\u0026rsquo;oppose de mani\u0026egrave;re fondamentale \u0026agrave; la notion d\u0026rsquo;identit\u0026eacute; (qui est essentiellement un outil de r\u0026eacute;gulation de l\u0026rsquo;uniformit\u0026eacute;) et certainement \u0026agrave; son instrumentalisation en tant que politique de l\u0026rsquo;identit\u0026eacute;.\u003c/p\u003e\r\n\r\n\u003cp\u003eCependant Serapinas n\u0026rsquo;est pas exclusivement concern\u0026eacute; par le non-mat\u0026eacute;riel et l\u0026rsquo;interpersonnel. Il s\u0026rsquo;attelle aussi \u0026agrave; la construction d\u0026rsquo;\u0026laquo;\u0026nbsp;espaces secrets\u0026nbsp;\u0026raquo;\u0026nbsp;: des poches de subjectivit\u0026eacute; taill\u0026eacute;es dans l\u0026rsquo;infrastructure rationnelle que la soci\u0026eacute;t\u0026eacute; tente d\u0026rsquo;\u0026eacute;riger pour elle-m\u0026ecirc;me.\u0026nbsp;(AK)\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"LT","place":"Vilnius","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}},{"country":"LT","place":"Vilnius","category":{"en":"Lives in","nl":"Leeft in","fr":"Vit à"}}]}